摘要
因歌剧《弄臣》中的歌剧主题"诅咒"的戏剧发展的内在要求,曼图阿公爵戏剧形象和音乐形象的塑造和形成的过程其实就是歌剧在舞台空间不断展现和发展的过程之一,要突现歌剧主题,对曼图阿公爵音乐主题的情感要求、发展和形成的基础、主题的内涵以及在歌剧主题发展中的地位和作用的详细分析是必不可少的程序,它是研究这部歌剧的艺术特性不可或缺的步骤,也为揭示这部歌剧在意大利歌剧史上具有里程碑式的意义作出有力的说明。
In order to meet the requirements of the theme "La Roi S'amuse" in Rigoletto, the process of forming and developing of the opera image and the musical image of the Duke of Mantua reflects the gradual display of stage space. It is necessary to analyze the emotional needs of the Duke of Mantua as well as the concept and role of theme in order to probe into the artistic characteristic of the opera. This can also illustrates the impact of this great milestone work in Italian opera history.
出处
《三峡大学学报(人文社会科学版)》
2008年第2期90-93,共4页
Journal of China Three Gorges University(Humanities & Social Sciences)
基金
三峡大学科研基金项目(607103)