当代视域中的古代文论

Chinese Classical Literary Theory in the Comtemporary Field of View

本文提出,应该在当代社会生活和文化思考的立场上来看待古代文论,会觉得古代文论大有升值的可能,关键在于我们是不是能够以真正的当代思维、当代视域看待古代文论。当代艺术许多种类都是以视觉的方式呈现,古代文论的底蕴是时时闪烁其中的。中国古代文论的体系流变性和贯通性,是当代文艺学吸纳古代文论以建构新框架的重要条件。古代文论的精髓,更多地内在于我们的文学艺术创作之中。中国古代文论和美学的观念,已经成为一种无意识的原型,潜移默化地在艺术家的头脑和艺术语言中存在并且不断地生发出来。古代文论并非与当代的文学艺术隔绝,确乎是活在当代的艺术创作之中的。

The paper puts forward that Chinese classical literary theory should be studied from the perspective of contemporary social life and cultural thinking,the classical literary theory is considered to have the possibility to appreciate greatly, the key lies in whether we can treat the classical literary theory from the perspective of real contemporary thinking and the field of view. Many sorts of contemporary art are presented in a visual form which contains values of Chinese classical literary theory. The rheological property and connectivity of Chinese classical literary theory is the prerequisite for contemporary theory of literature and art to absorb classical literary theory to construct a new framework. The essence of Chinese classical literary theory consists in literary and artistic creation. The thought of Chinese classical literary theory and aesthetics has become a unconscious archetype which exists in artists＇ mind and artistic language by osmosis. Instead of being isolated from contemporary literature and art, Chinese classical literary theory lives in contemporary artistic creation.