摘要
经过清初关于宋词是否统一叶韵的争论以后,清人普遍认为宋词有韵可循。在宋代词乐消亡以后,词韵更是成了保持词体音乐特性的重要质素,所以清人纷纷选取宋词名家之作来归纳韵部,撰写韵书,以此表达自己的词体观念与词学思想。尽管他们都标榜以宋词为据,却都未穷尽,故而不免又有宽、严之争。清人对宋词用韵的研究虽未完全探得宋代词韵之本,却在客观上普及了词韵观念,规范了清词用韵,完善了清代词学的研究体系。
After the argument whether Song Ci would unified Xie rhyme in the early Qing Dynasty, Qing people also thinked that there were rhymes to be followed in Song Ci , and Ci rhyme had become an impotant factor in keeping Ci' s music character after music of Ci in the Song Dynasty disappeared. So Qing people often selected famous works in Song Ci to conclude rhyme categories or write books . They expressed their Ci style' s idea and Ci thinking by these. Although their bases were Song Ci, there still was a discussion about the loose or the strict . Qing people' s study of Song Ci rhyme didn' t reach the root, but objectively it made the Ci rhyme popular , regulated Qing Ci rhyme , perfected the research system of Oing Ci.
出处
《江西师范大学学报(哲学社会科学版)》
2008年第1期90-96,共7页
Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
关键词
宋词用韵
研究得失
学术意义
Song Ci rhyme
study of gain and loss
learning sense