摘要
长征电影的真正叙事者是官方政治,尽管如此,由于历史变迁,官方政治要用电影影响民众,就得"把接受者缝合在故事当中",而接受者被影响的程度,还得靠官方政治的"叙事技巧"。因此,研究长征电影的叙事策略,考察政治、电影、民众之间的影响关系,对于繁荣长征电影、培育先进文化都不无裨益。"政治诗意化"等叙事是常见的叙事策略。非平面化的、立体、垂直的"深度模式"叙事则是追求的理想范式。
The real teller in Long March movie is authorities politics. For all that, if authorities politics want touse movie influence people, it have to "sew up the audience among the story" because of history had changed. But the degree of the influence been on audience is still have to depend on the "recount technique" of authorities politics. Therefore, researching on recount strategy of Long March movie , investigating influence relation between politics, movie and people are of most benefit for prosperity of Long March movie and grow forerunner culture. "Political poetry" recount strategy and other recount strategies are familiarly to recount strategy. With the non-flat surface, stereoscopic and perpendicular, the "depth mode" recount can be ideal mode in pursuing of.
出处
《喀什师范学院学报》
2008年第2期71-75,共5页
Journal of Kashgar Teachers College
关键词
叙事策略变迁
“政治诗意化”叙事
其他叙事
The Changeable "recount technique"
"Political poetry" recount strategy
Other recount strategies