摘要
作为三十年代"现代诗派"的"双峰",戴望舒与卞之琳分别是"主情"与"主知"的代表人。论文着重论述了两人在精神上和内容上的相同的倾向性,肯定他们禀执着一个艺术家对艺术的执着所做出的自我超越。同时也分析了两人处理主客体关系的不同方式。并探讨戴望舒卞之琳给今天诗坛的启示。
Dai Wangshu and Bian Zhilin are two representatives of "Modernism" in 1930s. This thesis has discussed the same of content in the poetry of Dai Wangshu and Bian Zhilin poetry, and approved their spirit of selfremolding because they insisted on going to do as an artist. This thesis has also discussed their different direction of artistical craftsmanship. At last ,it has pointed out the enlightening which Dai Wangshu and Bian Zhilin have given US.
出处
《西华师范大学学报(哲学社会科学版)》
2008年第2期16-20,共5页
Journal of China West Normal University:Philosophy & Social Sciences
基金
西华师大硕士启动经费资助
关键词
现代诗派
主情
主知
个人化
非个人化
modernism
stand for the perceptual
stand for the rational
individualism
nonindividualism