摘要
1927年茅盾被动的由政治工作者的心理身份向文学创作者的身份转换后,以《蚀》三部曲宣泄了他的颓废苦闷心理,展示了"时代新青年"的世纪末颓废。《蚀》与欧美式的现代主义颓废派有着显著的差异,属于"现实主义颓废小说",具有现代性的意义。《蚀》中"时代新青年"的颓废表现在:幻灭虚无的人生体验和疯狂报复的心理机制;歇斯底里的精神气质;寻求强烈的感官刺激,在刺激中略感生存的意味;对时间的恐惧。
In 1927 when Mao Dun was forced to be engaged in literary creation from the Party＇s political work,he wrote his trilogy Corrosion to expose his psychological state of decadence and distress as well as that of the youth of that time The novels,quite different from the decadent school of the western world,belongs to a realistic one of the school, whose obvious features lie in illusory life experience, strong thought of revenge, hysterical spiritual world, in pursuit of strong sense organ incentive, indulging in trifling pleasure of living and their fear of the future.
出处
《吉首大学学报（社会科学版）》
2008年第2期103-109,共7页
Journal of Jishou University(Social Sciences)
关键词
茅盾
《蚀》
颓废
上海
租界
Mao Dun, decadent
Corrosion, Shanghai
concession
