明代翰林院作家诗歌创作的艳体倾向

The Tendency of Colorful Style in Poetry Creation by Writers of the Imperial Academy in Ming Dynasty

从明初到弘治、正德之间，翰林院作家的诗歌创作中有一个重要的倾向，即他们创作了或多或少的艳情诗歌，在体裁上多用乐府体。这在明代的语境下，显得特别突出，迥异于时人的文艺观念。翰林院作家这方面的创作有其一定的历史渊源。

The poetry creation by writers of the Imperial Academy from the beginning of Ming Dynasty to the period ruled respectively by the Emperors Hong-zhi and Zheng-de, has an outstanding tendency towards the colorful style, i.e. writers created some poems more or less in flowery style, adopting the official conservatory in the Han Dynasty, which seems prominent in the context of Ming Dynasty, but much different from the literature and art at that time. Actually, historical origins accounted for this kind of phenomenon.