摘要
本文以音乐学"学术规范"为考察对象,分析了近年来发生在我国音乐学术研究领域的学术失范行为及其主要表现形态和产生背景,对学术界围绕"学术创新与学术规范"问题的讨论进行描述,对此次论争的产生原因和背景、论争的性质和目的、对象和方法、作用和意义以及论争中所涉及的与音乐学学术规范有关的若干理论命题进行探讨,对各方论者所涉及的主要论域和主要观点进行分析与评价,并在此基础上阐明了作者在上述几个问题上的立场和观点。
The problems of academic criterion in music world were presented more serious than other subjects due to superficial understanding and misleading to music art and its phenomena. Discussion about academic criterion in music world was earlier two or three years than that in other fields. In this paper, the author analyzed behaviors of academic criterion violation and their form and background based on investigation of academic criterion, describing the argumentation on academic innovation and criterion emerged from academic circle, discussing its cause and background, nature and aims, object and method, roles and meaning and the related theoretical proposition. Meanwhile, the author also analyzed and commented the main fields and views, furthermore set forth the authori-s own viewpoints.
出处
《南京艺术学院学报(音乐与表演版)》
CSSCI
2008年第2期9-21,共13页
Journal of Nanjing Arts Institute:Music & Performance
基金
江苏省教育厅重点项目论文
项目编号:03SJB760001
关键词
音乐学
音乐思潮
学术创新
学术规范
学术腐败
学术批评
musicology, music thought, academic innovation, academic criterion, corruption in academics, academic criticism