摘要
音乐美学研究的中心是对现代音乐美存在与之所以存在的积极接受,它的第一道边界是音乐美存在的当下文化背景,第二道边界是音乐美学传统即历时的临响经验,第三道边界是人类共同的审美经验,第四道边界是音乐美学与整个社会价值系统的有效关联。
The main point of music aesthetic research is the active acceptance of the existence of the modem music and the reason why it does. The first border is the current cultural background the music beauty existence; the second border is the music aesthetic tradition i.e. the diachronic living sound scope experience; the third border is the universal aesthetic experience of human being; the forth border is the effective links between the music aesthetics and the value system of the whole society.
出处
《内蒙古大学艺术学院学报》
2008年第1期10-13,共4页
Journal of Art College of Inner Mongolia University
基金
上海音乐学院音研所项目
上海市教委一般项目资助(项目编号07ZS112)
上海市第二期重点学科建设项目资助(项目编号T0701)
关键词
音乐美学
研究对象
现代音乐
音乐美
临响经验
music aesthetics
research object
modem music
music beauty
living sound scope experience