元初绘画中的陶潜情结——以钱选、赵孟頫、何澄为例

Tao Qian Complex in the Paintings of early Yuan Dynast——Take Qian Xuan,Zhao Meng-fu,He Cheng as example

陶潜情结,可以说是元代士人的象征符号,是在大统一背景下,知识阶层自我反省和自我体认的一种忠实态度。而钱选、赵孟頫、何澄等人在笔墨中对这种情怀的体认,在当时便颇具代表性。仕与不仕的姿态或深或浅都会影响到他们笔墨情趣的表达,他们执着于陶潜情结,并不是为了向世人宣扬个人的政治立场,而是更多地出于调和自我的考虑。这种心绪一旦在笔墨中挥发出来,便很自然会晕染出一个时代的绘画风格来。

Tao Qian complex could be regarded as the symbolic sign of the scholars of Yuan dynasty, and it was a faithful attitude of self - reflection and self - recognition of the intellectuals under the background of great unification. The recognition of the mood and feeling of Qian Xuan, Zhao Meng - fu, He Cheng in their writing was quite representative at that time. The feeling of being in the official or not would influence their expression of sentiment. However, all of their clinging to Tao Qian complex was not to air their political position, but more of the consideration of self- conciliation. Once the mood was expressed in the creation, it could influence the painting style of the time.