摘要
法国女作家玛格丽特.杜拉斯在越南出生并生活了18年。这种特殊的生活背景对其作品影响很大,构成了作品之外的潜在文本。论题结合比较文学形象学关于文化想象理论及作家生活经历,从作品"情爱"故事本身的解读出发,阐释"中国情人"形象所寄寓的较为复杂的深层文化内涵及关系:1.个人身份的寻求与文化认同,作家游离在东方和西方之间;2.法兰西民族对东方的欲望想象及投射,东方对他们有着巨大的诱惑;3.多重语境下的文化关联及其融合。
French female writer, Margarite Duras was born and lived in Vietnam for 18 years. This special experience had a great effect on her works, which formed an implying context out of her novels. This article, enlightened by the theory of cultural imagination of imagologie of comparative literature, based on the author' s personal experience and the interpretation of the love stories in her novels, expounds the deep connotation and cultural relationship implied in the image of Chinese Lover: the author' s wandering between the eastern and the western concepts searching for personal and cultural identity; the great temptation the orient to the desire imagination and projection of French people; the cultural association and fusion under multi-context.
出处
《海南大学学报(人文社会科学版)》
CSSCI
2008年第2期213-217,共5页
Journal of Hainan University (Humanities & Social Sciences)