《〈红楼梦魇〉自序》的非学术隐义

On Non-academic Underlying Meaning of Nightmare in the Red Chamber

张爱玲对《红楼梦》及研究的"疯狂",是其学术专论《红楼梦魇》的非学术隐义的表征。她与曹雪芹文人品格的共性,源于他们共同的"末世"之感。张爱玲继承了《红楼梦》对悲剧本原的演绎方式,将评点和考据《红楼梦》作为间接诉情文本,消解其对时代与人性的悲剧感。张爱玲的《红楼梦魇》给了我们一个解构其人其文的新视角。

Eileen Zhang＇s ＂craziness＂ towards The Dream of Red Mansions and its research are the non - academic underlying meaning of her academic work, Nightmare in the Red Chamber. The commonness between her scholar characteristics and Xueqin Cao＇ s is deeply rooted in their sense of ＂World＇ s End＂ in common. Inheriting The Dream of Red Mansions＇ s deductive style towards the essence of tragedy, Eileen Zhang deemed comment and study on The Dream of Red Mansions as indirect expressive texts, eliminating her sense of tragedy towards the epoch and human nature. Eileen Zhang＇ s Nightmare in the Red Chamber provides us with a brand - new perspective of the analysis on herself together with her works.