明代中叶的“清明上河图”——陈铎《滑稽余韵》、《秋碧轩稿》散曲集探析

"Qingming Shanghe Picture" in the Mid Ming Dynasty An Analysis of CHEN Duo's Sanqu Collections of Funny-Odd Rhyme and Fall Blue Porch Manuscript

陈铎是明代中叶散曲史上一位举足轻重的大家,他开拓了明散曲的另一个新视野:关注市井人物及市井风俗。在他的《滑稽余韵》和《秋碧轩稿》两部散曲集中,第一次将手工业者、工商业者、市民阶层等众多底层人物展现于世人面前,可谓是一幅明代中叶的"清明上河图"。试将其分为行业系列、职业系列和绘世系列分别加以分析阐述。

CHEN Duo was a very important Sanqu writer in the mid Ming Dynasty, he developed a new vision for it： concerning marketplace character and marketplace custom. His two Sanqu collections of Funny - Odd Rhyme and Fall Blue Porch Manuscript, which for the first time the people living at the bottom of the society, such as handicraftsmen, the industrialists and businessmen were described, could be regarded as a ＂Qingming Shanghe Picture＂ of the mid Ming Dynasty. The two collections are analyzed from the classifications of business series, professional series and worldly series in order to clarify the prejudice and misunderstanding towards the theme and the achievement between Yuan Sanqu and Ming Dynasty Sanqu since long ago.