胡风与《文心雕龙》

Hu Feng and WenXinDiaoLong

胡风文论与《文心雕龙》都受到传统整体思维的影响和制约,具体体现为创作论上的"天人合一",作家论上的"内圣外王"和文艺本体论与功用论上的"体用合一"。本文旨在厘清二者之间既有差异又存在相同之处的复杂关系,证明现代文论与传统文论之间割舍不断的历史连续性。

Hu Feng＇s literal theory and WenXinDiaoLong are both influenced and restrained by the traditional way of integrated thinking, which embody concretely in ＂oneness of nature and man＂ in theory of literature creation, ＂internal saints and external kings＂ in theory of author, and ＂tallied between ontology and function＂ in theory of literary ontology. This paper is to clear complex relation in two writers and prove the historical continuity between modem and traditional theories of literature.