期刊文献+

论中国本土艺术元素中的线

On the Line in Natiue Art of Painting in China
下载PDF
导出
摘要 从中国书法即是线的最高艺术形式的角度,按照文字和书法历史发展的顺序,结合文字书法及其理论对中国画线的影响,论述线条艺术的渊源;从表现形式和哲学思想方面,论述中西绘画中线的异同。按照历史发展的顺序,论述中国书画线的表现力的不断丰富;中国画线中的表现程式;中国画线与情感的表达;中国画线的表现力与线的组合规律。对于中国书画线意义的认识和今后的发展,既要求继承发展,又要注重情感的表达,不能太多的受其技法、理法的约束。 This article focuses on the line of Chinese drawing. Discuss its origin the angle of Chinese calligraphy, which is the superlative form of lines ,with the order of hysterical development of characters and handwriting, combing the calligraphy and the theories influences on it, discuss its senilities and difference between Eastern and western drawing from the aspects of expression forms and philosophic thinkings, discuss its enrichment and manifestation with the historical development ,its expression formulas ,discuss its expression of line and emotion, and its expression and combling law. To deal with the present cognizance of meanings of lines in Chinese traditional drawing and its development ,we must not only inherit and develop it ,but also pay attention to the emotion expression which should not be restricted by theories of lines technique.
作者 江保锋 闻婧
出处 《宿州学院学报》 2008年第1期100-102,共3页 Journal of Suzhou University
关键词 书画同源 骨法用笔 一笔画 程式化 视觉心理 乘物以游心 Congeniality of calligraphy-drawing Style of bone-frame in calligraply and painting One-brushstroke skill Stylization Vision psychology Feelings-expression by virtue of objects
  • 相关文献

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部