《悲情城市》的传播意境探析

The Aesthetic Analysis of Mood of the Film of City of Sadness

本文立足意境审美观来解读影片《悲情城市》,探询导演的创作观,分层次的关注影片的画面与镜语、剪辑与叙事,并在此基础上分析导演怎样完成对意境最高层次——"无形大象"的把握,揭示影片的主旨及导演对历史、人生的反思。

This article is trying to explain the film by using Mood, the traditional Chinese aesthetic conception, exploring the producing view of the director while paying special attention to the picture, lens language, editing and storing of the film, in order to analyze how director has achieved the highest level of Mood, finally to reveal the film＇s purport and the director＇s thoughts on history and human life.