从日本的中国美术研究看日本侵略中国的图谋

On Scheme of Japanese Aggression on China from the Study of Chinese Fine Arts in Japan

甲午中日战争之后,日本的中国美术史研究属于"支那史"、"东洋史"的分支;冈仓天心的中国美术研究较明显地带有军国主义思想的印记;即使比较纯粹的学术研究的大村西崖等采取西方科学研究方法,将实地考察和文献研究相结合,准确地判断中国美术品的价值和地理分布,在某种意义上说也为日本掠夺中国珍贵文物资源奠定了基础。由此,从日本的中国美术研究亦可窥见日本侵华的图谋。

The study of Chinese fine arts history in Japan was one of the branches in ＂Zhina and Dongyang Research Program＂, which served the scheme for aggression after the war between Japan and China in 1895. Gang-cang-tia-xin＇s study of Chinese fine arts dearly reflected the aggressive scheme, even Da-cun-xi-ya, taking sheer researches on Chinese fine arts, combing the field means with text resource, correctly judging the value and location of Chinese fine arts, also formed the basis of Japanese aggressors on Chinese arts treasures. So we can find the scheme of Japanese aggression on China from the study of Chinese fine arts in Japan.