民间神话的乌托邦写作——论《秦腔》及民间写作

On Utopian Composition about Folk Myth of Qinqiang and Folk Composition

《秦腔》通过对神秘兮兮的人、具有灵性的动物以及充满神秘和危险的大自然等意象的呈现,以期再现以清风街为代表的商州民间神秘文化。但这种神秘仅是对民间神话的乌托邦想象,是作家对现实的困惑和遗憾。真正的民间写作应该是一种关怀神话写作,即在某种时尚或习俗中发现一个象征性焦点,藉着民间的野性和生命来表达某种具有保守征候的神秘,即对当下生命的关怀和焦虑。

Qinqiang would take on some mysterious persons, spiritualistic animals as well as mystically dangerous images from the nature to reproduce the folk mysterious culture of Shangzhou in virtue of Qingfeng Street. But the mystery is a Utopian dream about folk myth, or is what puzzles the author himself. The veriest folk composition should be a kind of composition of solicitude myth. That is to say, an author discovers a symbolic focus among some fad or convention to express some mystery with conservative symptoms with the help of folk ferity and life, which care about life nowadays.