期刊文献+

中国艺术精神视野里的画与诗融合——徐复观论中国画与诗融合的现代性意义

The Fusion of Painting and Poetry through the Chinese Art Spirit——Xu Fuguan's view on the modernity meaning of the fusion of Chinese painting and poetry
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摘要 徐复观的《中国艺术精神》一书是最早针对现代性与现代艺术阐释中国美学思想的著作。徐复观所阐发的中国艺术精神是对现代性批判性思考的结果,是对现代社会里中国传统艺术的现代价值的合法性论证。在徐复观看来,中国绘画与诗歌的融合,是一种打破艺术形式界限的艺术创造。中国的诗和画都具有抒情性特征,重视主体艺术精神的表现,具有现代性艺术的品格,具有安顿人的精神的现代性价值。 The Chinese Art Spirit by Xu Fuguan was the early book that explained China Aesthetics through the modernity and modem art. Xu Fuguan thought the Chinese art spirit, as the result of criticizing the modernity, is the legal demonstration of the modem vale of traditional art in modem society. The Chinese art spirit can settle the spirit as a substitute of religion. At the same time, the fusion of China painting and poetry is an artistic creation that breakthrough the limit between painting and poetry. Chinese painting and poetry characterizes in lyrics, focusing on subjective artistic spirit, with the value of modernity of settling the spirit.
作者 刘毅青
机构地区 复旦大学中文系
出处 《惠州学院学报》 2008年第2期47-51,共5页 Journal of Huizhou University
基金 人事部中国博士后基金会项目(编号20070420024)
关键词 中国艺术精神 中国画与诗 徐复观 现代性 the Chinese Art Spirit fusion of Chinese painting and poetry Xu fuguan modernity
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