丑与恶对文学审美圣殿的“冲击和亵渎”——俄国后现代主义小说家索罗金创作论

On the Writing of the Russian Postmodernist Novelist V.Sorokin

集"光环"与"恶名"于一身的后现代主义小说家弗拉基米尔·索罗金把转述一种历史的文化话语当作小说写意的基本内容,把传达社会转型期一种尚未充分显现的俄罗斯民族的心理和情绪当成自己的使命,表达历史文化与社会政治霸权话语下伦理的、人格的异化,社会对于自然的和独立的人的"遗弃";他用将现实与人物丑陋化、粪土化、妖魔化的审丑手段实施对民族和人类历史、文化的颠覆。索罗金的小说创作在哲学层面是反中心的、反理性的、反整体性的,在文化层面上是反历史、反体制、反传统的,在美学层面上是反美、反规范、反诠释的,在文本层面上是反体裁、反结构、反时空的。

The controversial postmodernist novelist,V.Sorokin,regards recording the cultural discourse in history as the essential content of his novel writing,and takes expressing the psychology of the Russian people during the social transitional period as his mission.He portrays the alienated human beings dominated by the discourse of historical,cultural,social and political hegemony,as well as the social outcasts who are natural and independent men.By turning against the aesthetics in characterisation and portrayal,he aims to subvert the traditional understanding of human history and culture.His creation is philosophically centrifugal and anti-rationalist,culturally anti-historical and iconoclastic,aesthetically resisting literary norms and interpretation,and textually anti-form and anti-structure.