期刊文献+

自主、变化、推陈出新——琳达·哈钦论文学作品的改编 被引量:2

Linda Hutcheon on the Creativeness and Independence of Literary Adaptation
原文传递
导出
摘要 后现代理论家琳达·哈钦以开放、多元、去中心、质疑权威的后现代精神在《论改编》一书中试图打破人们传统上对包括文学作品在内的改编的偏见,为改编正名,反对以对被改编作的忠诚度作为判定改编质量的尺度;倡导以平等理念对待被改编作与改编作的关系,主张应以产生时间先后区分被改编作与改编作,而非沿袭固定思维模式预设两者的主次;承认改编作的相对自主性,将其视为一个阐释和创造过程,提请人们肯定改编者的主观能动作用以及时代语境、文化背景对改编的滋养、丰富,正确评价改编对被改编作的改变为其带来的活力和契机。 In a decentering,dehierarchizing and open postmodern spirit,postmodern theorist Linda Hutcheon challenges the traditional disparaging opinions on adaptation of literary works as a secondary,belated and derivative mode and calls for evaluating adaptation and the adapted in a horizontal rather than vertical order.She objects to using faithfulness to the adapted as the sole criterion to judge adaptation,arguing instead that temporal precedence does not mean anything more than temporal priority;a repetition without replication,adaptation is a process,a formal entity,a product unto itself,and an intertextual creation;adaptation enriches the adapted and keeps it alive through the passage of time;there are many and varied motives behind adaptation and the contexts of times and cultures are also at work.
作者 李杨
出处 《外国文学》 CSSCI 北大核心 2008年第2期110-115,共6页 Foreign Literature
  • 相关文献

参考文献13

  • 1Benjamin, Waltrer. Illuminations. translated by Harry Zohn. New York: Schocken Books. 1968.
  • 2Braudy, Leo.''Afterward: Rethinking Remakes.'' Horton and McDougal, 1998a., 1998.
  • 3Dawkins, Richard. The Selfish Gene. Oxford: Oxford University Press, 1976/1989.
  • 4Galloway, Priscilla. Interview with Linda Hutcheon. 25 April 2004.
  • 5Hutcheon, Linda. A Theory of Adaptation. New York and London: Routledge, Taylor and Francis Group, 2006.
  • 6Innis, Christopher. ''Adapting Dickens to the Modern Eye: Nickolas Nickeby and Little Dorrit. '' Reynolds 1993a, 1993.
  • 7Kushner, Tony. Angels in America, Part Two : Perestrokia. New York: Theatre Communications Group, 1992.
  • 8Newman, Charlez. The Postmodern Aura. Evanston.. Northwestern University Press, 1985.
  • 9Potter, Sally. Orlando. London: Faber and Faber, 1994.
  • 10Ryan, Marie- Laure. Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Baltimore: John Hopkins University Press, 2001.

同被引文献9

二级引证文献7

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部