摘要
文章试图从民族审美心理的视角,考察中国古代音乐发生、发展的流程,并揭示其内在审美机制:以"中和美"来展示内心体验的世界;以特有的"音色美"作为艺术品位的价值尺度;以"空灵美"作为心灵追求的最高境界。
In this thesis, the author attempts to investigate the production and development process of Chinese ancient music from the angle of national esthetic psychology, and then delineate its internal esthetic principle, such as demonstrating the world experienced by the innermost feeling with "neutralization beauty", using the typical "timbre beauty" as the measure of value for artistic taste and using "elusive beauty" as the highest boundary of spirit pursue.
出处
《信阳师范学院学报(哲学社会科学版)》
2008年第2期134-136,共3页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
基金
河南省教育厅人文社科项目"中国古代音乐的文化审视"(2007GH093)
关键词
审美心理
情感体验
天人合一
音乐品位
心灵境界
esthetic psychology
feeling experience
unity of heaven and man
musical taste
spiritual boundary