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中国古代版画的复制性观念

The Reprographic Concept of Ancient Chinese Prints
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摘要 中国古代版画的发展与演绎贯穿着复制性的观念,这种观念既与中国传统的艺术与哲学背景有关,也直接被印刷的本质与书籍出版的方式所限定,复制性观念犹如一把双刃剑,在成就中国古代复制版画的同时,也限制了版画艺术概念的拓展。 Ancient Chinese prints have always developed alongside with the reprographic concept. The concept has a close relation with traditional Chinese arts and philosophy, and it is also limited by the nature of the printing and the publishing form of the book. While helping make the great achievements of the reprographic ancient Chinese prints . the reprographic concept confined the extend of the print concepts, which makes it a two-edge sword in the developing of Chinese printing.
作者 姥海永
出处 《江南大学学报(人文社会科学版)》 2008年第2期121-124,共4页 Journal of Jiangnan University:Humanities & Social Sciences Edition
关键词 印刷 版画 复制性 Printing Print Reprography
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