摘要
鲁迅的《铸剑》和余华的《鲜血梅花》是两个关于复仇的小说。复仇对眉间尺和阮海阔来说,是命运给他们开的一个尴尬玩笑,他们不可能完成复仇任务。两篇小说虽然最后都以复仇的完成作为结局,但复仇已经超越了复仇本身。眉间尺的复仇完成了对自我的重塑,阮海阔复仇的形式被美丽的漂泊消解,变成对复仇本质的嘲讽。眉间尺的复仇体现了鲁迅真正的启蒙叙事立场,而阮海阔的复仇则暴露了余华精神资源的缺乏带来的"伪先锋"纯情的痞性本质。
Lu Xun＇ s “Cast the sword” and Yu Hua＇s “Blood plum blossom” are two novels about revenge. Revenge being that destiny gives awkward joke that they open to Mei Jianchi and Ruan Haikuo. They accomplish the revenge mission impossibly. Although two novels already have revenged being completed as final finally, revenge has already exceeded revenge self. The weight of Mei Jianchi of revenge has accomplished to oneself. Broad revenge of Ruan Haikuo form is dispelled by beautiful drifting, becomes sneering at to revenge nature. Mei Jianchi＇ s revenge has embodied the real enlightening of Lu Xun narrating position, but revenge of Ruan Haikuo has revealed the nature of “false pioneer” clean and honest emotion ruffian that Yu Hua＇s spirit resource insufficiency brings about then.
基金
贵州省教育厅"关于中国当代文学思潮内在发展逻辑的研究"课题成果之一。项目编号:黔教社发[2006]373
关键词
《铸剑》
《鲜血梅花》
复仇
启蒙叙事
伪先锋
“Cast the Sword”
“Blood Plum Blossom”
Revenge
Enlightening Narration
“False Pioneer”
