摘要
曹操的游仙诗虽然只有几首,但就游仙诗的创作领域来看,却是承前启后的。它上承秦汉乐府民歌和赋借虚幻世界以抒心志的创作传统,首次从文人的角度描绘虚幻世界的奇幻、瑰丽,抒发了自己暮年壮志未酬却壮心不已的痛苦忧虑,反映出诗人晚年的思想矛盾;向下则开启了曹丕、曹植、嵇康、阮籍、郭璞等人借游仙以述志的一代诗风。其创作手法对后世的浪漫主义诗歌创作无疑也有着积极的启迪作用。
Though the poems of mystical excursion written by Cao Cao are only a few, they inherited the past and ushered in the future in terms of writing field. He inherited folk songs and Yuefu of the Qin and Han Dynasties, and expressed ambition by way of virtual world. He expressed his deep sorry and great concern for his country, not being able to fulfilling his great ambition when he was old by describing the fantasy and beauty of the virtual world from the angle of man of letters. This reflected his contradictions of thought when he was old. Meanwhile, he also ushered styles of poem of mystical excursion by Cao Pi, Cao Zhi, Ji Kang, Ruan Ji and Guo Pu. Undoubtedly, the writing style of these poems played a positive role on the poems of Romanticism in the later period.
关键词
曹操
游仙诗
意蕴
地位
Cao Cao
Poem of Mystical Excursion
Implications
Status
