论同光体诗人袁昶

On Yuan Chang, a poet of Tongguang Style

近代诗人袁昶在同光体浙派中有着重要的地位。过去学界一直认为他是洋务派作家,通过对其政治活动与主张的具体考辨后指出,他应该属于维新派作家。在晚清特定政治背景下,袁昶既不能济世救国,又不能隐逸闲居,只能以一种痛苦的"朝隐"心态来消磨时日,这使得他大量的山水诗具有独特的意味。由此两方面入手,我们能够较全面地重新认识这位过去被视为保守派的诗人,同时,也能够对其诗歌创作中丰厚的内蕴、喷礴的情感与风格的博综做新的评价与体认。

Academic circles always regarded previously Yuan Chang, a famous poet in modem history, as a literator belonging to foreign affairs school. Yuan Chang was previously regarded as a conservative poet. This paper discriminated his political faction. Furthermore, it explored his mind of Chaoyin, a hermit in imperial court on the special politics background. So, it helped to understand afresh his poet. Meanwhile, the paper commented anew on his poems＇s content and style.