摘要
本文从上个世纪三十年代前后的现代性对中国生活的渗入入手,对《现代》派诗歌的成因及其所采用的新颖的诗歌风格进行分析,指出与现代生活的遭遇所导致的语言的匮乏和表达技术的欠缺,是《现代》派诗人取法象征主义、意象派和未来派诗风的动力,而同时,对现代生活的描摹也正是这些创新的目的。
This paper starts with the modern life in 1930s in China, analyzes the cause of formation and its new style of the poetry of the magazine Modern, points out that the lack of the language and the lack of technical expression are the impetus for the poets to adopt the symbolism, imagism and futurism, and at the same time, the description of modern life is also the purpose of these innovations.
出处
《同济大学学报(社会科学版)》
CSSCI
2008年第2期65-71,共7页
Journal of Tongji University:Social Science Edition