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休斯诗歌的艺术魅力与语用偏离手法 被引量:2

A Study of Langston Hughes’Poetic Charms and Pragmatic Deviation
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摘要 兰斯顿·休斯诗歌的艺术魅力源于语用偏离艺术手法的运用。首先,本文对语用偏离理论做了介绍。之后,本文把休斯的诗歌创作手法放在美国少数话语构成的语境中加以剖析,着重探讨了休斯诗歌创新过程中语用偏离所起的作用。 Langston Hughes' poetic charm is originated from his exploitation of artistic techniques of pragmatic deviation. This paper, in the first place, makes an introduction to the theory of pragmatic deviation. Then, it makes an analysis of Langston Hughes' artistic or poetic techniques in the American Minority Discourse context, with its emphasis on the functions of pragmatic deviation.
作者 刘森林
出处 《外语教学》 CSSCI 北大核心 2008年第3期24-28,共5页 Foreign Language Education
关键词 兰斯顿·休斯 语用偏离 艺术手法 Langston Hughes Pragmatic Deviation poetic techniques
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参考文献19

  • 1Bartemps, A.& Hughes, L. The Book of Negro Folklore [C]. New York: Dodd, Mead & Company,1958.
  • 2Barksdale, R. & Kinnamon, K. Black Writers of America: A Comprehensive Anthology [Z]. New York: The Macmillan Company, 2001.
  • 3Keller,R. Invisible-hand theory and language evolution[J]. Lingua,1988 (77):113-27.
  • 4Hatim, B. & Mason, I. Discourse and the Translator[M]. London & New York:Longman,1990.
  • 5Hughes, L The Big Sea [M]. New York: Hill and Wang, 1940.
  • 6Hughes, L The Panther and The Lash [M]. New York: Alfred·A·Knopf, 1968.
  • 7Hughes, L The Dream Keeper and Other Poems [M]. New York:Alfred· A· Knopf, 1949.
  • 8Hughes, L Selected Poems of Langston Hughes [M]. New York: Alfred·A·Knopf, 1983.
  • 9Hughes, L The Weary Blues [M].New York: Alfred.A-Knopf, 1926.
  • 10Hughes,L I Wonder As I Wander[M]. New York: Hill and Wang, 1956.

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