先意定格的窘境李攀龙七律对——李颀的“拟议”与“变化”

Pattern Before Artistic Conception:The Seven-charactered Verse of Li Panlong Versus the Apery and Change in That of Li Qi

李攀龙七律的诗意凝滞、意境淡化以及沧桑老成,与其取法李颀而偏重格调的创作风格密切相关。李攀龙七律取法盛唐而片面追求气势、格调的倾向,促使复古派诗人逐渐认识到自身创作的局限性,进而从理论的高度对诗歌创作中意与法的关系、格调与语言的关系等问题加以反思。尽管李攀龙的七言律诗本身在"拟议"与"变化"之间瑕瑜互见,但其在明代复古派诗人及后世评论家中引发的理论思考与理论阐释无疑具有重要的诗史意义。

Li Panlong＇s seven - charactered verses characterized by the poetic flavor of stagnation, wateriness and adultness are closely related to Li Qi＇s seven - charactered verses emphasizing his own style. Li Panlong＇s seven - charactered verses, which have the tendency of pursuing the momentum and style of those of the Tang dynasty, enabled the poets of ancient - restoration to begin to realize their limitation of poetry writing and theoretically to reflect the relationship between conception and methods of poetry writing, and the relationship between style and language. Although Li Panlong＇s seven - charactered verses have both strong and weak points between apery and change, undoubtedly, they have important historic significance in the theoretic consideration and theoretic illustration for the ancient - restoration poets in the Ming Dynasty and critics of the later generations.