译者唯美的追求 翻译理论的完善

A Comment on the translator＇s Aesthetiacl Pursuit and rtanslatin theory＇s perfection

诗歌翻译，是对极致的艺术表现形式的再创造，也是对诗译者的双语驾驭能力的考验。无论是理解的主体——译者，还是理解的客体——文本，都是历史地存在的，所以，不同条件催生着不同的意义，这种文本的意义的多元性又蕴含着翻译和翻译批评的不可穷尽性。因此，对于诗的可译与不可译性探讨也是翻译理论的完善过程。

Poetry translation is a re-creation to a superlative art form, and it is also a test to the translator＇s aptitude in bilingual mastery. No matter the translator -- the principal body of interpretation, or the text -- the object of interpretation, has substantially existed, therefore, different conditions produce different meanings. The multi-dimensional character of the text content indicates the non-exhaustiveness of translation and translation criticism. Hence the discussion of the translatability and non-translatability of poems is a process of perfecting the translation theory.