摘要
《乐记》肯定了乐是情感的自然流露,揭示了创美主体情感的真实性,认为乐是情深、气盛与和顺积中的感性显现,是主体浓郁情感的抒发,是主体"气盛"的表现,进而达到和顺积中的中庸之美。情深才能文明,气盛才能化神,和顺积中才能英华发外。《乐记》通过对乐心互动之真的阐释,进一步证明了"唯乐不可以为伪"这一重要的美学命题。
The author makes three explains on the topic of 'only music couldn't be pseudo' in The Record of Music from the Perspective of relationship between music and the mind:It justifies the facticity of beauty producer's emotion, because music is genniun feelings outpouring naturally from the composer; Music is sensible representation that is full of profound feeling, sprited in manner; the emotion represention of music is needed to reach the mean beauty of reconciliation in the mind. From the perspective of the truth of interaction between music and heart, it convinces that the truth of music is from the fact that the music is inspired by the force of the mind and it moved audience in retrun.
出处
《齐鲁学刊》
CSSCI
北大核心
2008年第3期109-113,共5页
Qilu Journal
基金
教育部人文社会科学研究规划项目<〈乐记〉与中国文论精神>(06JA75011-44040)
关键词
《乐记》
乐由中出
和顺积中
乐心互动
The Record of Music
music comes from nature of the mind
interaction between music and heart