期刊文献+

从乐心关系看《乐记》的“唯乐不可以为伪”

On’Only Music couldn’t be Pseudo’in The Record of Music——From the Perspective of Relationship Between Music and the Mind
下载PDF
导出
摘要 《乐记》肯定了乐是情感的自然流露,揭示了创美主体情感的真实性,认为乐是情深、气盛与和顺积中的感性显现,是主体浓郁情感的抒发,是主体"气盛"的表现,进而达到和顺积中的中庸之美。情深才能文明,气盛才能化神,和顺积中才能英华发外。《乐记》通过对乐心互动之真的阐释,进一步证明了"唯乐不可以为伪"这一重要的美学命题。 The author makes three explains on the topic of 'only music couldn't be pseudo' in The Record of Music from the Perspective of relationship between music and the mind:It justifies the facticity of beauty producer's emotion, because music is genniun feelings outpouring naturally from the composer; Music is sensible representation that is full of profound feeling, sprited in manner; the emotion represention of music is needed to reach the mean beauty of reconciliation in the mind. From the perspective of the truth of interaction between music and heart, it convinces that the truth of music is from the fact that the music is inspired by the force of the mind and it moved audience in retrun.
作者 薛永武
出处 《齐鲁学刊》 CSSCI 北大核心 2008年第3期109-113,共5页 Qilu Journal
基金 教育部人文社会科学研究规划项目<〈乐记〉与中国文论精神>(06JA75011-44040)
关键词 《乐记》 乐由中出 和顺积中 乐心互动 The Record of Music music comes from nature of the mind interaction between music and heart
  • 相关文献

参考文献7

  • 1曾遂今.音乐社会学概论[M].北京:文化艺术出版社,1997.
  • 2朱金城.白居易集笺校[M].上海:上海古籍出版社,1988..
  • 3朱长文.乐圃余稿[M].文渊阁四库全书本.
  • 4[美]唐纳德·杰·格劳特,克劳德·帕利斯卡.西方音乐史[M].汪佩璋,吴佣华,顾连理译.北京:人民音尔出版社,1996.
  • 5[德]瓦格纳.瓦格纳论音乐[M].廖辅叔译.上海:上海音乐出版社,2002.
  • 6郑玄注,孔颖达疏.礼记正义:下册[M].北京:北京大学出版社,1999.
  • 7朱熹.朱子语类[M].北京:中华书局,1986..

共引文献313

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部