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人性思想与传统文化的理想平衡——浅议《聊斋志异》爱情模式

The Ideal Balance Between Human Nature and Traditional Culture——A Brief Discussion on the Love Mode of "Liaozhaizhiyi"
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摘要 蒲松龄的《聊斋志异》的爱情故事模式往往是以女性的主动俯就,自荐枕席为开始,在交往过程中又不吝温情给予男性生理和心理上的慰藉,全心全意扶持男性消除困难,渡过难关,达到生活上的安逸与事业上的成功,最终回归传统伦理,成为标准的贤妻良母孝妇形象。探析这种爱情模式背后的心理和文化渊源,指出著作者的目的是探寻人之本性与传统道德文化的平衡接合,更好的为男性中心服务。但这一切只能是当时读书人的白日梦而已。 In Pu Songling's " liaozhaizhiyi", the female figure always shows her love on her own initiative at the very beginning of the love story. During the later contact, she comfort the male figure physically and psychologically with tenderness, and support the male figure in overcoming difficulties and tiding over crisis to achieve the comfort of life and the success of career. At last, the female figure was portrayed as a good wife, loving mother and dutiful daughter--in--law according to Chinese traditional ethic. This article try to prove the psychological and cultural origin behind these love models. The author try to point out the aim of the novelist is to pursue the balanced combination of human nature and traditional morality, and there by give better service to the man--centered traditional culture. But all of these are just a daydream of the intellectuals at that time.
出处 《山西农业大学学报(社会科学版)》 2008年第2期148-150,159,共4页 Journal of Shanxi Agricultural University:Social Science Edition
关键词 《聊斋志异》 爱情故事 女性 男性中心 白日梦 Liaozhaizhiyi" Love Story Female Man- centered Day dream
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