明清女性戏曲创作理论的诠释与接受--以古代戏曲序跋为例

On Interpretation and Acceptation of Feminine's Dramatic Creation Theories in the Ming and Qing Dynasties——From a Perspective of the Preface and the Postscript to the Drama

明清女性主要以题写序跋的方式开展戏曲理论批评。在戏曲创作理论方面,其理论成果主要集中在人物形象刻画、情节结构和题材处理三个方面,尽管理论水平难以与男性理论家比肩,却独具女性特色,是中国古代戏曲理论的重要组成部分。

In the Ming and the Qing Dynasties, female mainly carries out the dramatic theory in the preface and postscript. Their theories mainly concentrates on the portray of character image, the plot structure and the theme processing. Although they cannot be compared with the male, their theories are actually of the feminine characteristics, which is an important part of Chinese ancient drama theories.