摘要
文章以藏文和梵文元音作为切入点,以萨班《乐论》和《语门文法概要》等古籍文献为主要论据,从理论高度阐明了藏传佛教诵经音乐音律、上下起伏的旋律音调走向所构成的曲线线条、诵经音乐"央译"(■)乐谱的形成和关系等诸多学术问题。
In order to analyze chanting music of Tibetan Buddhism, the article studies the vowels of Tibetan and Sanskrit languages on the basis of The Musical Theory of Sakya Pandit and The Door of Talking： Brief Grammatical Text. Furthermore, the article discusses the chanting musical tonality of Tibetan Buddhism and the term ＂Yangyig＂ which is formed from the melody of ups and downs, rises and falls and so forth.
出处
《西藏研究》
CSSCI
2008年第2期80-87,共8页
Tibetan Studies
