摘要
《人间词话》的理论核心是境界说。"隔"论是境界说的具体化与深入化,就其思想渊源来说,"不隔"既来源于西文艺美学方思想的"真"与"直观",也深受中国古代文艺美学思想的熏陶。而"隔"起初源于时空之隔,后作为一理论用语以评点文学作品。
The key point of the book "Comments on Poetry" is the hypothesis of realm, which is then specified and developed into "Ge" (Vagueness) theory. In terms of its ideological origin, "non - vagueness" coms from the "realness" and "intuition" in western cultural and artistic aesthetics theory, and is deeply influenced by Chinese ancient cultural and artistic aesthetics as well. But "vagueness" is used at first to refer to the isolation in time and space, which is later used to comment on literary works.
出处
《济宁学院学报》
2008年第2期40-42,共3页
Journal of Jining University
关键词
境界
隔
不隔
真
直观
realm
ge
buge
realness
intuition