摘要
汉代社会极为强调秩序,体现于图像中即界格对图像的规范,它在画像中发展经历了许多阶段,从无到有,从显到隐等。不同阶段,不同图像题材其表现形式都会有所区别。理解这一点有助于解读汉代画像中所反映的社会文化等内容。
Han China strengthened a lot in the orders. As an effect of that in the images, the pictures were restricted by the frames. The frames developing in the images experienced many terms, growing out of nothing and passing out of existence. In different phases and image subjects, the frame has different forms. Knowing this is helpful to understand the culture and society presented by the images of Han China.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2008年第3期102-106,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design