炳灵寺西秦立佛造像风格的再认识

Rethinking About the Style of West Qin Standing Buddha Statues in Binglingtemple

炳灵寺西秦时期立佛造像的共同特征是从贴体的薄衣内显现出人体解剖结构。炳灵寺第169窟第7龛残存立佛造像的基本风格承袭了秣菟罗系笈多时期佛立像样式,和其它西秦时期的造像一样,也程度不同的受到早期传入新疆地区的犍陀罗、萨尔那特式及当地的特点后形成的龟兹造像样式的影响。同时,在这种西域混合式造像风格的基础上又融合了本地的社会时尚及塑造者本人的一些审美情趣等因素,形成了以秣菟罗——笈多造像样式为主体,并具有鲜明的地方特色和民族特色的风格。

The common characteristic of west Qin period Buddha statue in Binlingtemple manifests the man body anatomical structure through the thin underwear which adhered to the body. The fundamental style of surviving standing Buddha statue in 7th shrine of 169th box in Binglingtemple inherited the standing statue style of Motuluoxijiduo period, same as other west Qin period standing statues, the standing statues in Binglingtemple was effected by Qiuci statues which was not only influenced by the statue style of Jiantuoluo and Saernate which was introduced into Xinjiang district in early time,but also was influenced by local style. At the same time, on the basis of the mixture style statues in western regions, it integrated the local social and the aesthetic taste and other factors of the author, at last formed the new style which was formed on the mainly body of the Motuluo-- Jiduo statues style,it also has the distinct local and national eharacteristics.