摘要
综观中国书法史,前期表明了书法为社会服务的全面的社会功利性,后期则是由为社会服务的主要功利性向艺术性转换的倾向逐步形成和强化的过程。书法的功利性是客观存在的,我们应倡导健康进步的书法功利观,创造和谐的文化环境,构建能反映时代特征的艺术平台;提升书法评论话语水准和理论水平,逐步澄清对书法艺术的模糊认识;强化书法展览的目的性和有序性、规范性;关注书法专业报刊的质量,提高读者的理论认识水平。
Looking back the history of Chinese calligraphy, calligraphy shows a comprehensive social utilitarian for the community early, later it shows a process of gradually develop from the main utilitarian converse to artistic. Calligraphy utilitarian is an objective fact, we should advocate a healthy concept of calligraphy, create a harmonious cultural environment, construct an art platformthat can reflect the characteristics of the times; upgrade calligraphy comment on the theoretical level and standard of discourse, gradually clarified the fuzzy awareness of calligraphy; strengthen the aims.order and normative; concerned about the quality of newspapers and professional calligraphy, raising the level of theory understanding of the readers.
出处
《甘肃联合大学学报(社会科学版)》
2008年第3期48-52,共5页
Journal of Gansu Lianhe University:Social Sciences
关键词
书法创作
功利性
急功近利
遏制策略
calligraphy of Chinese characters created
utilitarian
quick results
containment strategy