摘要
王蒙的文学创作和文学批评实践相兼相融,其书写视野和致思路径独特而新颖。作为最为典型的作家批评者的王蒙,他将感受和对话作为文学批评的基本范式,颠覆了苦大仇深似的学术陈见,彰显出一位优秀的小说理论家和出色的批评家双重角色的智慧和才情,确立了王蒙在中国当代批评史上特有的地位。
Wang Meng's literary writing horizon and thinking pathway affection and dialogue as the basic creation and literary criticism practice are compatible to each other,and his are novel and unique. As the most typical author - critic, Wang Meng, taking paradigm of literary criticism, has subverted the academic cliche of great hatred, and manifested the wit and talents of his double roles as the best fiction theorist and the outstanding critic, which thus establishes his unique role in contemporary criticism history in China.
出处
《湖北民族学院学报(哲学社会科学版)》
2008年第2期78-81,共4页
Journal of Hubei Minzu University:Philosophy and Social Sciences
关键词
感受
批评
王蒙
文学批评
范式
affection
criticism
Wang Meng
literary criticism
paradigm