从海男的《裸露》看中国当代女性写作的困惑

Confusion of Writing with Contemporary Chinese Feminine in Nakedness by Hai Nan

中国当代女性文学进入九十年代后经历了一次发展的高潮阶段。但是仍然是倍受评论界和男性话语中心的非议和抵制。文章通过海男的小说《裸露》来探讨当代女性写作的困惑,从裸露的出发点、男性对裸露的摧毁以及裸露的终点三个方面来探究女性写作遭遇尴尬的深层原因,并指出一条"人的文学"的发展方向。

This paper discusses the writing confusion confronted by the contemporary Chinese feminine writers by examining the novel Nakedness by Hal Nan, which explains why they are in a dilemma starting with nakedness, men destroying nakedness an ending up with nakedness.