摘要
民族交响协奏曲《冥》、《瑟》、《索》是我国著名作曲家金湘教授20世纪90年代的重要作品,曾在世界许多国家和地区演奏,受到一致好评。作品体现了中国传统文化所特有的"空虚散含离"的美学思想,在技法上又借鉴了西方现代音乐的手段,使得作品既有鲜明的民族性又有强烈的现代性,表达了作曲家的深层次对中国传统文化的继承和发展,是感性和理性的完美统一。
National Symphony Concerto "MING, "SE, "SUO", which is very important, was composed by Professor JIN in the 1990s. It has been performed in many countries and regions and achieved a great fame, The work manifested the unique esthetics thought in Chinese traditional culture, that is, "vacant, empty, decentralized, subtle and separation". It has benefited from the technique of West modern music. All these enabled the work both to have the bright national characteristics and the intense modernity. It expressed the composer's deep level and the succession and development of Chinese traditional culture. It was the perfect unification of sensibility and rationality.
出处
《衡水学院学报》
2008年第2期71-74,共4页
Journal of Hengshui University
关键词
金湘
民族交响乐
传统文化
JIN Xiang
national symphony
traditional culture