摘要
皎然的逸格论,跟隐逸文化有着十分紧密的联系。逸格既包含了对文学创作主体所进行的创作活动的规定和要求,又指陈了中国传统艺术活动所追求的最高艺术境界,即有效地传达主体固有之品格,使为人与为文获得完美的统一。如此,则人生与艺术也就合而为一,人生即艺术,艺术亦即人生。此乃中国传统艺术之真精神所在。
The same literary ideal brought about the international friendship between Hang Zongdai and Paul Valery. Liang became the first one who held an comprehensive view of pure poem theory of the Chinese symbolic poems as well as the last critic of symbolic poems. He revealed a multi - leveled, systematized, stereoscopic system of pure poem theory, which is combined by symbolic poem theory, Paul Valery's pure poem theory and Chinese classical symbolism, or Liang's unique interpretation of symbolism with Chinese touches.
出处
《成都大学学报(社会科学版)》
2008年第3期48-51,共4页
Journal of Chengdu University (Social Sciences)