摘要
《断头台》是艾特玛托夫八十年代的力作。作品中以动物形象作为人物形象的参照,增加了一个从动物观照人自身的独特视角,具有独立的审美价值。通过狼的家族悲剧,向读者展示人对大自然的无情掠夺,并由此引发出对人类善与恶的哲理思考。艾特玛托夫以其作品浓厚的生态意识要求人类进行价值观的全方位变革。
Guillotine is a masterpiece of Aitmatov in 1980s. Works with the images of animals image as a reference, an increase of one person from animal perspective own unique perspective, and have an independent aesthetic value. Through the wolf family tragedy to readers who display the ruthless plundering of the natural world, and that led to the philosophy of human good and evil thinking. Aitmatov's work with a strong sense of the ecological requirements of the values of all human beings change.
出处
《东北农业大学学报(社会科学版)》
2008年第2期102-104,共3页
Journal of Northeast Agricultural University:Social Science Edition
关键词
艾特玛托夫
《断头台》
人与自然
生态意识
Aitmatov, Guillotine, Person and nature, Ecological consciousness