摘要
模拟独特方式参与了汉魏六朝文学的演进。模拟者从作品、文体、题材、作家等层面对自我与模拟对象之关系进行了文学史意义上的确认;又在影响的焦虑中不断否定或贬低模拟对象,从而修正并发展了文学史传统。模拟者对当代作家作品的模拟,则构建了时代文风,从而形成了新的文学史传统。
Imitation is widespread in Han, Wei and Six Dynasties which regarded as the literary self- consciousness period of literature. During the simulation process , imitators establish a sense of literary history in the area of work, style, theme, writers and so on, recognize and accept the literary tradition. On the other hand, imitators expand the literature tradition in the anxiety of influence.
出处
《中国文学研究》
CSSCI
北大核心
2008年第2期47-49,共3页
Research of Chinese Literature
关键词
模拟
文学史
汉魏六朝
imitation
literary history
Han, Wei and Six Dynasties