摘要
文章以现代雕塑史上两种类型的"虚空"为主要线索,简要回顾了西班牙雕刻大师爱德华·奇伊达的艺术历程,并着重介绍了其对空间和材料的认识。这为我们理解其作品与思想能够赋予建筑师以原创力的原因提供了依据。
According to the evoulutions of the two different protypes of"Void"in the development of the modern sculpture, the paper reviews the routins of the Spanish sculptor master Edurado Chillida and the main point lies in introducing his attitudes to the space and materials,It shows us some evidences to the reason that the sculptor's concepts and works could arouse architects the original creative inspirations indefinitely.
出处
《时代建筑》
2008年第3期60-63,共4页
Time + Architecture
关键词
雕塑
虚空
笼式虚空
穴式虚空
雪花石膏
空间
Sculpture
Void (vacío)
Caged Void (vacío enjaulado)
Dug Void (vacío excavado) Alabaster
Space