摘要
纳博科夫在《绝望》中,通过对两个"相像性"的书写,表现了自己对于现实的批判,展示了自己对艺术与生活关系的理解。第一个"相像性"存在于赫尔曼与菲利克斯之间,小说由此批判了人类社会对于"同一性"的追求造成了个体的扼杀,对于生命的践踏;第二个"相像性"即艺术和生活之间的"相像性",纳博科夫彻底地解构了艺术的神圣光环,掐断了艺术本身对于人类社会现实的反映、批判和拯救之路。由此,纳博科夫表达了自己内心深处的双层"绝望"。
In his work Despair , Nabokov criticizes the social reality and expresses his understanding of the relation between the art and the reality by writing the double similarity. Nabokov thinks that the pursuit of similarity caused the autocratic society. At the same time, Nabokov does not believe the art could describe and criticize the real world which used to be thought to rescue the imperfect world.
出处
《南昌大学学报（人文社会科学版）》
北大核心
2008年第2期136-139,共4页
Journal of Nanchang University(Humanities and Social Sciences)
