极端政治的艺术宣示——“革命样板戏”剧照中权力意志的视觉表达

The Artistic Declaration of Extreme Politics——the Visual Expression of Power and Will in Stage Photos from "Revolutionary Model Dramas"

"革命样板戏"作为"文革"期间的主流文化艺术形式,其剧照中凝固的一些典型瞬间已经成为一个时代的影像代表。本文透过改造为"样板戏"前后不同版本中的剧照以及在相关媒体上刊载的剧照的变迁,揭示国家意识形态如何影响样板戏的创作,成为国家意识形态的图解符号。并研究剧照中如何通过摄影手段塑造英雄形象,体现"三突出"原则。剧照的画面语言及"高大全"、"红光亮"式的人物形象以及"从路线出发"、"主题先行"等创作理论又如何影响到美术、摄影等其他平面造型艺术的题材和创作。

＂Revolutionary Model Dramas＂ are taken as a mainstay of art and culture in ＂Cultural Revolution＂. Some typical moments embodied in the stage photos have become classical images of that time. By analyzing the changes of the stage photos from the dramas before and after modifying as ＂Model Dramas＂ and the stage photos published on related medium, the article hopes to reveal how national ideology had influenced the creation of ＂Model Dramas＂ and had made it a graphic symbol of the national ideology. In addition, the article reveals how the image of heroes was created by means of photographing to embody the principle of ＂three prominences＂. The article further explores how the photo language of the stage photos and the ＂tall-large-overall＂ and ＂red-bright-brilliant＂ characters and the theories such as ＂from the route＂, ＂theme first＂ affect the subjects and creation of fine arts, photography and other plane arts.