摘要
通过人体振动空间转化理论,建立歌唱音乐空间感意识。从此出发,着眼口形与喇叭、气息与能量、共鸣与空间,提出口形运作、咬字吐字功能、言语空间感向歌唱空间感转化、气息能量积聚,以及人体持续、整体、弹性振动空间中多重音质共鸣等,对于歌唱中音乐空间感的形成起到的重要作用。
The sense of space in music is built on the theory of human body resonance. Based on the relationships between the shape of oral and nasal cavities and amplification, between breathing and energy, and between resonance and chambers, the paper suggests that mouth manipulation, word articulation, transfer of the sense of linguistic space to the sense of musical space, accumulation of air energy, and multi-timbre resonance have important effects on the formation of the sense of musical space.
出处
《湛江师范学院学报》
2008年第2期108-111,共4页
Journal of Zhanjiang Normal College
关键词
音乐空间感
口形
气息
能量
共鸣
sense of musical space
mouth shape
breathing
energy
resonance