期刊文献+

《泰山金刚经》书法艺术特征

The Calligraphy Features of the "Diamond Sutra of Mount Tai"
下载PDF
导出
摘要 从南北朝至明、清各朝代刻写、书写《金刚经》蔚然成风,佛经促使书法的发展,书法弘扬了佛法,特别是《泰山金刚经》刻石书法,结构疏朗空灵,笔势奇古雄秀,体在隶楷之间,形成自己独特的书法艺术风格,具有极高的史料价值、佛学价值和书法艺术价值。 It is said in the Diamond Sutra that calligraphy renders a great service to mankind, for it is convenient for people' s reading and explaining. From Nanbei Dynasty to Ming and Qing Dynasty, carving and writing the Diamond Sutra became the order of the day. Buddhist sutra and calligraphy mutually influenced each other and developed together. The stone carving of the Diamond Sutra of Mount Tai is taken as an example in this paper. With its sparse and unconventionally graceful structure, vigor of strokes in calligraphy and the style between regular and official script, it has evolved the artistic features of its own and it is also of great value in the aspects of historical data, Buddhist philosophy and artistic features of calligraphy.
作者 张世杰
出处 《青海师范大学学报(哲学社会科学版)》 2008年第2期96-99,共4页 Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
关键词 泰山金刚经 书法艺术 特征 the Diamond Sutra of Mount Tai calligraphy artistic features
  • 相关文献

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部