摘要
文学诠释是一种创造性的精神活动,其本质并非重构或复制"作者意图"。罗伯-格里耶的"形式本体论"有其理论缺陷,不能成为诠释罗伯-格里耶小说文本的金科玉律。小说与现实世界的关系是一种悖谬关系:小说只能是现实主义的,也同样顽固地是非现实主义的。我们可以从自称为"书记"的巴尔扎克的小说文本中解读出"虚构"和非现实,亦可从强调"虚构"的罗伯-格里耶的小说文本中解读出西方后工业社会的现实。
As a creative, spiritual activity, literary interpretation, in its nature, is not to reconstruct or copy the writer's "intention". Robbe-Grillet's "formal ontology" has its theoretical defects, and therefore, cannot be accepted as an infallible law to interpret his literary texts. Novels and reality have formed an absurd relation, i.e. novels are realistic and non-realistic. We can perceive the fabrication and non-reality from Balzac's novels and can also perceive the reality of the Western post-industrial society from Robbe-Grillet' s novels.
关键词
文学诠释
作者意图
内容与形式
虚构与真实
罗伯-格里耶
literary interpretation
writer' s intention
content and form
fabrication and reality
Robbe- Grillet